'Terra' created with terracotta pigments, combines the raw, earthy quality of ancient painting traditions with an abstract language. Its warm tones and gestural forms evoke the material origins of painting, while suggesting a distant echo of the “Madonna and Child,” not directly depicted but subtly emerging from the pigment. The title emphasizes the grounding in earth and matter, allowing the sacred to appear less as an image than as a memory shaped by material itself.​
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- or just archaic abstraction
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In 'Flowers', the motif of the blossom is transformed into abstraction. The left panel, with its dense warm tones and circular gestures, evokes vitality and fullness, while the cooler right panel suggests fading and dissolution. Together, the diptych reflects the duality of growth and transience, reinterpreting a long art-historical symbol in a contemporary abstract language.
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​- or just floral distraction.
'Beach' presents a vibrant field of vertical color stripes in varying widths. Bold reds, blues, and yellows alternate with softer pastels and darker contrasts. The slightly irregular lines lend the work a sense of liveliness and movement.
​Inspired by the colorful bathing huts of the Italian coast, the abstract composition transforms simple vertical stripes into a vibrant rhythm of color. The work fuses Mediterranean lightness with echoes of color field and stripe painting, uniting summer spirit with a thoughtful exploration of color and space.​
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- or just striping interaction.